Stories that teach wisdom and faith

How to Use Parables in an Advent Reflection

How to Use Parables in an Advent Reflection

Advent asks you to wait, and waiting is difficult to do well. Parables are unusually good company for it. They arrive as stories — a lamp running low, a servant left in charge, a banquet with seats to spare — and they hand the meaning back to you to work out. That is close to the posture Advent wants: attention, patience, and a willingness to be found by something you did not arrange.

Start with the week's theme, not a favourite parable

It is tempting to pick a parable you already love and bend the week around it. The other way round works better. Name the theme first — hope, preparation, joy, love — then look for a story that puts pressure on that theme rather than decorating it. A parable that unsettles the theme will keep you thinking until Christmas; one that merely illustrates it will be forgotten by Tuesday.

Depending on which lectionary cycle your church follows, the Sunday gospels may already hand you a parable. If they don't, this pairing is a reasonable starting point:

  • Week one — hope and watchfulness. The Ten Bridesmaids (Matthew 25:1–13), or the suddenness of the days of Noah as Jesus retells them (Matthew 24:37–44). Both are about being found ready rather than being found busy.
  • Week two — preparation and turning round. The Barren Fig Tree (Luke 13:6–9) or the Sower (Matthew 13:1–9). Both are about ground: what needs clearing, what might yet grow.
  • Week three — joy. The Lost Sheep, the Lost Coin and the Prodigal Son (Luke 15). Joy that breaks out over what was lost and is found — a better fit for this week than anything sentimental.
  • Week four — love and nearness. The Good Samaritan (Luke 10:25–37) or the Great Banquet (Luke 14:15–24). Love that crosses the road; a table with room for the people you did not invite.
  • Christmas itself. The Sheep and the Goats (Matthew 25:31–46). The child in the manger and the stranger in the queue at the till are the same question.

Notice that none of these are obviously seasonal stories. That is the point. Advent's parables are mostly about absence, delay and surprise, which is precisely what the four weeks are made of.

Read the same parable three times, three ways

One reading is not enough to do much with, and six readings in a week is more than most people manage. Three is a good number.

Once, out loud

Read it aloud, even alone in the kitchen. Parables were spoken long before they were written down, and your ear catches things your eye skips. Slow down enough to hear the small nouns: the oil, the door, the coins, the jar of flour. Try a different translation on the second day; a single changed word can shift the whole story.

Once, with one detail

Choose a single object, gesture or phrase and stay with it. The door that is already shut. The servant digging a hole for what he was given. The father running down the road. Resist the urge to turn the detail into a lesson. Ask instead what that thing would look like in the middle of your ordinary week — the shut door you have walked past, the thing you have buried rather than risked.

Once, as a question put to you

Keep awake therefore, for you know neither the day nor the hour.

The third reading is where the parable turns round and looks at you. If it makes you defensive, that is information rather than failure. Some of the best Advent reflection happens in the gap between what you believe about yourself and what the story seems to assume about you.

Questions that open a parable instead of closing it

Weak reflection questions have the answer built in — "how can I be more like the wise bridesmaids?" You already know what you are meant to say, so nothing happens. Better questions leave room to be surprised. Keep two or three of these to hand and use them across the whole season:

  • Where am I in this story, and where would I rather be?
  • Who in the story have I overlooked, and why?
  • What am I actually waiting for at the moment, and what am I doing while I wait?
  • Which character do I find hardest to sympathise with — and what does that say about me?
  • Where have I stopped expecting anything to happen?
  • What would change tomorrow if I took one sentence of this parable seriously?

Write your answer down before you decide whether it is a good one. The first honest sentence is usually worth more than the polished paragraph you would have produced for an audience.

Keep the reflection small enough to repeat

Most Advent plans collapse in the second week because they were designed for a quiet hour nobody has. Ten or fifteen minutes, five days a week, beats an ambitious scheme abandoned on 6 December. Three lines in a notebook make a complete entry:

  • the verse or detail you noticed
  • what it stirred — irritation, recognition, hope
  • one thing you will do or pay attention to today

Write in the present tense if it helps: "I am the servant counting the wrong things." Date every entry. By Christmas Eve you will have a record of the season that no printed booklet can give you, and you will see which themes kept returning.

Sharing a parable with a family or a small group

Parables work well in company because they invite disagreement, and disagreement keeps people awake. Keep the format plain: read the story aloud, let everyone name one thing they noticed, then talk for ten minutes. Resist landing a moral at the end. With children, ask what they would have done in the story — their answers are often sharper than the adults'. A candle on the table and the same three questions each week will do more than a new discussion plan every time.

In a house group, ask one person to read and one to keep an eye on the time, so the conversation does not drift into diary comparisons. If you are leading, your main job is to leave silence in the room rather than fill it.

A pattern you can carry through the four weeks

If you want something concrete to start with this Sunday, try this. It fits around work, school runs and the extra demands December always brings.

  1. Sunday: name the week's theme, and choose the parable you will stay with. Read it once, without underlining anything.
  2. Monday: read it aloud, slowly. Note the first thing that snags your attention.
  3. Tuesday and Wednesday: one detail a day, ten minutes each, three lines in the notebook.
  4. Thursday: ask the harder question. Where does this story resist you?
  5. Friday: name one small action or attention for the weekend, and keep it small enough to be true.
  6. Saturday: read the whole parable again and notice what has changed since Monday.

Keep the same parable for the whole week rather than a new one each day. Advent is short, and depth is easier to sustain than variety. If you miss a day, pick up where you left off — the parables are patient, and so is the season that holds them.

Photo: klickblick / Pixabay

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